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Samstag, 17. Februar 2018

PHANTOM THREAD - Movie Review

Title: Phantom Thread
Running Time: 131 min
Director: Paul Thomas Anderson
Writer: Paul Thomas Anderson
Starring: Daniel Day Lewis, Vicky Krieps, Lesley Manville, Brian Gleeson

Review:
Paul Thomas Anderson has been an acclaimed director for over twenty years now. Daniel Day Lewis can call three Academy Awards, three SAG Awards, two Golden Globes and a knighthood his own. After these two artists had already collaborated on "There Will Be Blood", they now teamed up for a second time. And if that wasn't intriguing enough, Daniel Day Lewis announced that he would end his acting career after this final film.
I wish he had chosen another project, because to me, "Phantom Thread" is a very frustrating movie. Let's get the positives out of the way first: The cinematography is gorgeous. This movie's shots look like part of photo exhibition at an art gallery. Then there is the sound mixing and the editing that really make sure this quiet films comes alive. Daniel Day Lewis' and Vicky Krieps' acting is on point as well, and it seems that making these characters feel real is a task they master effortlessly. Also, since this is a film about a fashion designer, the costumes are also beautiful to look at.
But then there is the plot of the movie. This story is one of a self-entitled rich old white man whose talents let him to believe his needs are more important than everyone else's. I guess he is supposed to be interesting and suave, but I found his arrogance and lack of empathy less charming than infuriating. Throw in the uncomfortably apparent Oedipus complex and you've got yourself an incredibly unrelatable character. Even the hints of post-war trauma can't help to redeem this entirely unsympathetic man.
The other half of the couple is a woman that doesn't stop admiring him despite his constant disrespect for her. The fact that she talks back to him a couple of times doesn't make up for her constant need of his approval. Their conversations are so very often immature and the more the movie progresses the more toxic their communication becomes. In addition, the film leaves out some important information about them and so it is hard to understand where exactly their affection comes from.
How this movie holds 91% at Rotten Tomatoes and an Oscar nomination for Best Picture is beyond me. This is not a complex love story, this is the romanticization of highly dysfunctional behavior - the relationship dynamics of "50 Shades of Grey" repackaged for a pseudo-sophisticated upper middle class. If you look up "pretentious" in a dictionary, you might just find the plot summary of this movie in there.

For Fans Of:
Elle (2016)
mother! (2017) - if you sympathized with Javier Bardem in that film
The Tree of Life (2011)
Carol (2015)

Freitag, 16. Februar 2018

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI - Movie Review

Title: Three Billboards Outside Ebbing, Missouri
Running Time: 115 min
Director: Martin McDonagh
Writer: Martin McDonagh
Starring: Frances McDormand, Sam Rockwell, Woody Harrelson, Caleb Landry Jones, Lucas Hedges, Abbie Cornish, Peter Dinklage

Review:
Martin McDonagh is a genius. Like man film makers he started his career with a short film. But unlike most of his colleagues he immediately got critical recognition for it and won the Academy Award for Best Live Action Short Film. He followed this with the now cult classic "In Bruges" as well as the movie everyone tells me they still really want to see, "Seven Psychopaths". All of these works were able to gain critical success despite being full of cussing and violence. Does the next entry in his filmography follow that trend?
Most certainly. "Three Billboards outside Ebbing, Missouri" is a darkly comedic yet thought-provoking movie full of intriguing characters, witty dialogue and fantastic performances. In that way, it is very much a McDonagh film. It might however be his most accessible work, because the message and themes of this movie are much more straightforward than usual.
In "Seven Psychopaths" Christopher Walken's character quoted Gandhi by saying "An eye for an eye leaves the whole world blind." and it seems as if McDonagh set out to construct his latest film in honor of that statement. This movie is about seething anger, the urge for revenge and about how hatred only generates more hatred. The small-town setting is perfect for this story, as it naturally connects the characters and gives each of them an individual history with someone else. The driving force in this film is the character of Mildred Hayes, a grieving mother haunted by the unsolved murder of her teenage daughter. When she puts up the titular billboards in hopes of provoking the police in such a way that they re-open the cold case of her daughter, she sets the ball rolling. From that point on, McDonagh lets the events escalate continuously. His characters don't care for etiquette and when they clash you can be sure to hear some abusive language and aggressive behavior. And the film feels more real because of it. Somehow, people that curse just seem a little more honest. Additionally, the film gains genuinenes by taking its time to insert a few more quiet and sincere moments in between all the turmoil to give the characters as well as the audience room to breath and absorb everything that's been going on.
This great writing becomes even better through the actors. This is a fantastic cast and everyone is on the top of their game. Fraces McDormand gives such a furious and yet vulnerable performance that you are invested in her fate for every second of this film. Also Sam Rockwell manages to bring out the humanity in a seemingly unredeemable character and Woody Harrelson shines as the unlikely moral anchor of the film.
"Three Billboards outside Ebbing, Missouri" is a cleverly written, perfectly acted movie that with all its obscenities, has a kindhearted message at ist core - an absolutely fantastic time. Catch it in theaters as long as you still can!

For Fans Of:
In Bruges (2008)
Seven Psychopaths (2012)
Fargo (1996)
Adam's Apples [orig.: Adams Æbler] (2005)
Kiss Kiss Bang Bang (2005)
Pulp Fiction (1994)

Samstag, 16. Dezember 2017

IN THE FADE (AUS DEM NICHTS) - Movie Review

Title: In the Fade (orig.: Aus dem Nichts)
Running Time: 106 min
Director: Fatih Akin
Writer: Fatih Akin, Hark Bohm
Starring: Diane Kruger, Denis Moschitto, Numan Acar, Samia Muriel Chancrin, Johannes Krisch, Hanna Hilsdorf, Ulrich Brandhoff

Review:
Fatih Akin is one of the most renowned directors in Germany. The award-winning film maker of Turkish parentage is known for being the cinematic voice of people with a migration background as he has often put their reality of life on screen. Thus, it comes to no surprise that a series of murders of nine immigrants committed by the far-right German terrorist group NSU (National Socialist Underground) inspired the story of his latest project. Especially when you take into consideration that the investigation and trial let to the conclusion that the NSU's network spans into government authorities.
"In the Fade" is a fantastic blend of personal drama, trial film and revenge thriller. It tells the story of Katja Sekerci whose Kurdish husband and son are killed in a racially motivated bombing. Akin starts his story with Katja and Nuri marrying... in prison. It's somewhat cute, but first and foremost a clear statement by the director. You should empathize with these victims, even if you don't sympathize with them. Nobody deserves this. The protagonist is imperfect and Akin refuses to manipulate the audiences through dramatic music cues or other similar cinematic tricks. As a result the movie has a coldness to it at points. This, as well as the fact that this is a rather quietly told film, add to its somber atmosphere.
But Akin's directorial voice is loud and clear. Because he has perfectly internalized the famous rule "Show, don't tell".  His images hold more explanatory power than any piece of dialogue could. Katja crying her lungs out in the brightly colored bed in her deceased son's bedroom, says everything about the deepness of her mourning in a single frame. Her getting a tattoo in an incredibly painful spot without even flinching, expresses her emotional numbness better than any variation of the phrase "I feel so empty." would. A courtroom with Katja sitting in the background, fighting the urge to burst into tears while a medical specialist quotes the autopsy report with brittle professional detachment, chokes you up. And then there is a particular tracking shot through a bathroom that will chill you to the bone. It is excellent craftsmanship.
Of course, leading lady Diane Kruger is the pivotal element in all of these shots. While I have found her acting a little superficial in the past, she is a revelation in this movie. Displaying unbridled raw emotions and embracing her characters flaws, she gives one of the strongest and authentic performances of this year, as well as the best of her career. She and Akin are a fantastic pairing.
However, the film is not exempt from possible criticism. If you were looking for a nuanced exploration of the NSU's structure and a differentiated look at their place within the system of government, you'll come away empty-handed. Akin has no interest in making this a film with documentary qualities. Nor does he want to provide moral guidance. It seems that primarily he wanted to vent his anger and express how infuriating such a mindless and hateful act of violence is. In that sense, it is not a rationally designed movie, but one driven by emotion. As a result, one could argue that in the third act, the film undercuts its own message. But it is likely that Akin wants to present chaos rather than order, and thus, doesn't care for making sense of it all. To show the senselessness of such an atrocity is the message itself.
So even though "In the Fade" is not the investigative movie some had hoped for, it is not one bit less powerful. On the contrary, it is one of the most thrilling films of the year that will captivate you from its first minute to the last. This ingeniously constructed piece of cinema surely leaves an impression and will stick with you long after you've left the theater. A movie that is most definitely worth your time and money.

For Fans Of:
Taxi Driver (1976)
Prisoners (2013)
Léon: The Professional (1994)
The Girl with the Dragon Tattoo (2009)
Head On (2004) [orig.: Gegen die Wand]

Donnerstag, 12. Oktober 2017

MOTHER! - Movie Review

Title: mother!
Running Time: 122 min
Director: Darren Aronofsky
Writer: Darren Aronofsky
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Domhnall Gleeson, Stephen McHattie

Review:
Whether you are a fan of his work or not, Darren Aronofsky is an intriguing director at the very least. He has tackled many different topics and genres including surrealism (" π"), sports drama ("The Wrestler"), fantasy ("The Fountain"), psychological thriller ("Black Swan"), biblical epic ("Noah") and more. Nevertheless, he still fills his films with personal trademarks and has made a name for himself for being controversial and disturbing at times. Now, the director dives into the horror genre to get audience's hackles up.
His latest film certainly is a unique cinematic experience, although it really isn't a film for everyone. While the trailers promised a "haunted house vs. home invasion" type movie, you get much more than you bargained for. The story of a couple living alone in a house, that suddenly gets a dubious visitor, seemed simple enough. But "Mother!" is a grande metaphorical horror film, that is as disturbing as it is strange. Getting weirder with every minute, it slowly builds up to a complete escalation in its finale.
Aronofsky proves that he is a master of the craft as he takes you through this mysterious journey. The horror genre is often considered to be cheap, because scaring people is incredibly easy (even your regulare house cat can make you jump every now and then). To frighten someone to the core however, is a wholly different story. Aronofsky for example refrains from using the typical musical cues that notify you of an upcoming scare. In fact, he doesn't use any music at all. Instead, the noises of the house take center stage. Squeaking floorboards, muffled footsteps and rattling furniture. Everything becomes alive to create a truly haunting atmosphere. Additionally, the director follows his protagonist with an extensive use of close-ups and tracking shots, trapping us in her perspective and making the movie all the more claustrophobic.
This is also where Jennifer Lawrence' splendid acting comes in. After kind-of phoning it in in "X-Men: Apocalypse" and "Passengers", she shows once again why she is an Oscar-caliber actress. Her sincere and empathy prompting performance draws you into the movie and makes the things that happen to her all the more uncomfortable.
Because content-wise, this is a really uncomfortable film. The story equals a fever dream, where there seems to be no reason behind the string of events. In nightmarish fashion strange and (towards the finale) very disturbing imagery unravels. Some people will find this unnecessarily harsh and the chaos of this movie appalling. Others might relish this uncensored unraveling of Aronofsky tormented artistic mind. Because within this turmoil of weird incidents, a lot of  themes are touched upon. The metaphorical storytelling allows many different interpretations. Maybe one will stick with you. Maybe you'll have none and only after digging into others people's analyses it will fall like scales from your eyes. And maybe you'll find this film so bloated and pretentious that you just don't care. But Aronofsky surely put a lot of his thoughts and grand questions about human nature and our world in general into this film. Whether you will enjoy this ride certainly depends on your affinity for the Kafkaesque. Either way, it will be unlike anything you have seen in theaters lately.

For Fans Of:
Franz Kafka
Requiem for a Dream (2000)
Rosemary's Baby (1968)
Only God Forgives (2013)

Click Here To Watch Trailer!

Sonntag, 3. September 2017

ATOMIC BLONDE - Movie Review

Title: Atomic Blonde
Running Time: 115 min
Director: David Leitch
Writers: Kurt Johnstad
Starring: Charlize Theron, James McAvoy, John Goodman, Toby Jones, Sofia Boutella

Review:
In the last couple of years, Hollywood has taken a few large steps towards gender equality when it comes to prominent blockbuster roles. After "The Hunger Games", we got two female-led Star Wars movies, Scarlett Johansson as an ass-kicking cyborg and "Wonder Women" topped the box office. Now, Charlize Theron, who has proven her affinity for action (and cars?) with "Mad Max: Fury Road" and  "Fate of the Furious", gets her shot at a bad-ass leading lady. She's paired with stuntman-turned-director David Leitch, who is heavily involved in the "John Wick" franchise.
Surprisingly so, "Atomic Blonde" is not as action focused as the ad campaigns might have made you believe. Instead, it really goes into spy film territory, with shady characters, different agencies interfering with each other and multiple double crosses. Unfortunately, this part of the story isn't the movie's strong suit. Although the premise seems simple (once more the plot revolves around a list containing agents' identities - as previously seen in "Skyfall", "Mission Impossible" and many others), Kurt Johnstad's script sometimes gets convoluted. There is a lot happening between the different parties involved. And while it is not that hard to follow their actions, their motivations stay unclear. Thus, the conversations between the different players don't hold as much weight as they need to keep you fully engaged. To me, it was hard to put a finger on the screenplay's exact problem. Maybe it just tried to be too clever for its own good. But too often I found myself hoping for the conversations to wrap up, so that another action set-piece could kick off. Because when the action hits, it is absolutely fantastic.
David Leitch sure knows how to stage, choreograph and shoot fight scenes. Every time our main character goes into combat mode, it is a complete blast. Especially during the finale of the film, the film makers present you a fight sequence that puts you in awe. In an incredible long-take, Charlize Theron takes on group of hitmen that she beats, kicks and shoots through an entire building. Not only is most of the action in frame, but it is rough, blunt and realistic. No punches are pulled, and there were audible gasps in the audience during the scene. It might be one of my favorite fist fights in American cinema.
Additionally, the film has a great visual style. With its bright green, pink and blue lighting, it often has a very cool neon look. Also, it uses rousing tunes of the German new wave and other music of the time, to really give you that late 80's Berlin vibe. The editing is on point as well. This film simply looks damn awesome.
However, all this makes it just all the more upsetting, that the story itself can't completely grab you. The movie could have easily been 20 minutes shorter. I really hope the film makers get to make a sequel, where they can shift the focus to the action. Because this movie actually had the potential to be absolutely dope. It's still worth watching on a movie night with your friends though, be it just for the fight scenes.

For Fans Of:
Spectre (2015)
Skyfall (2012)
TRON: Legacy (2010)
The Bourne Legacy (2012)
The Man from U.N.C.L.E. (2015)
Stereo (2014)
Unknown (2011)

Click Here To Watch Trailer!

Donnerstag, 17. August 2017

DUNKIRK - Movie Review

Title: Dunkirk
Running Time: 106 min
Director: Christopher Nolan
Writer: Christopher Nolan
Starring: Fionn Whitehead, Tom Hardy, Mark Rylance, Aneurin Barnard, Kenneth Brannagh, Cillian Murphy, Harry Styles, Jack Lowden, Tom Glynn-Carney, Barry Keogahn, James D'Arcy

Review:
Since the turn of the millennium, Christopher Nolan has established himself as one of the most renowned directors of our time. Next to his critically and commercially successful Batman trilogy, he has put audiences in awe with mind-bending and sophisticated movies such as "Memento", "The Prestige", "Inception" and "Interstellar". Nolan movies are an event, and whether they like the film or not, people sure love to discuss and talk about their execution and construction. But what happens when a director that is so well-known for his high-concept fiction tackles an historical drama?
Well, with "Dunkirk" Christopher Nolan has once again created a unique cinematic experience, albeit for different reasons than people have come to expect. This is a true story. There is no big twist, no philosophical exploration of our perception of reality and basically no room for interpretation. But Nolan still sets this film apart from other war movies through the way he chooses to tell the story. First of all, there is no real main character, and instead we follow different people at different points during this historic evacuation.We also don't get any kind of backstory for them. This is mostly due to the fact that (especially in the first half) there is extremely little dialogue. A fact that is especially interesting considering that one of the biggest points of criticism concerning Nolan's past work was his extensive use of expositional dialogue. It does not seem however as if this was a response to critics, but rather a deliberate film making choice. By removing the personal perspective from the film, the event itself gains center stage. Imagine watching just the finale of "Titanic" without having seen Rose and Jack before. It creates an atmosphere with an emotional coldness to it, that at the same gives the film a sense of objective realism. Therefore, the film truly becomes a snapshot in time.
By now I have mostly defined this movie by the things it doesn't have, so let's get into the things it does. Because from a technical standpoint, this film is an absolutely masterful piece of cinema. For one, the areal shots of the beach and the ocean are breathtaking. Nolan captures the landscape in a way that gives this yawning void a bittersweet beauty. As though this gorgeous emptiness was already an in-between state of life and death. At other points, he creates a claustrophobic atmosphere that immediately builds up the tension. He taps right into the human fear of drowning or being trapped. Furthermore, he stages most of the action in camera with practical effects making them real and impactful. It should be noted here that this film works without a bunch of gory scenes and manages to display the horrors of war without spilling a lot of on-screen blood.
Something that is rarely talked about in films, the sound design, is another element that contributes to the total immersion of the audience. When bombs drop you feel it, when shots fire you flinch, and when fighter jets nosedive out of the sky, their screech makes the hair on your neck stand on end. Hans Zimmer underscores this with an oppressive atmospheric soundtrack that refrains from large melodic movement. Lastly, Nolan interconnects the three perspectives of the event in a clever way that at some points cements the feeling of inescapability.
"Dunkirk" is a film that has the capability of completely sucking its audience in. It does however ask you to be emotional invested simply because of what happens, and not because of who it happens to. So if you are a viewer who needs a personal connection with a main character to really get immersed in a story, you might not get the same experience as others. And while Nolan tries to make the film at least a little more personal during the last ten minutes, it does not work 100%. But despite this debatable point concerning the writing, Christopher Nolan has once again proven that he is a masterclass film maker when it comes to directing. An actual Dunkirk veteran was moved to tears during a screening of this movie, because he felt like he was there again. Whether you want to learn more about the events of WWII or about the artistry of cinema itself, "Dunkirk" is worth watching. Worth watching on a big screen. A definite recommendation.


For Fans Of:
The Revenant (2015)
Saving Private Ryan (1998)
The Impossible (2012)
Interstellar (2014)

Click Here To Watch Trailer!

PS.: To all the "One Direction" haters, I am sorry to inform you that Harry Styles actually did a good job in this film.

Samstag, 29. Juli 2017

BABY DRIVER - Movie Review

Title: Baby Driver
Running Time: 113 min
Director: Edgar Wright
Writer: Edgar Wright
Starring: Ansel Elgort, Lily James, Kevin Spacey, Jon Hamm,  Jamie Foxx, Eiza González, Jon Bernthal, CJ Jones

Review:
There are only a few directors who can leave a fingerprint as unique as Edgar Wright. The creator of "Scott Pilgrim vs. The World" and the so-called "Cornetto-Trilogy" (including "Shaun of the Dead", "Hot Fuzz" and "The World's End") has made a name for himself by putting certain trademark elements into almost all of his films. Firstly, he puts everyday normal people into outrageous scenarios. Not only does this create humor, but Wright actually uses these ludicrous events to support his characters' personal growth. Secondly, he has a slick and inventive way of editing as well as framing his scenes. Thus, he can create comedy, excitement and style almost completely independent from the words in his script. And lastly, Wright fills his films with a lot of details, foreshadowing and pop-culture references, so that you can pick up something new every-time you rewatch it.
By now, it has been four years since the director brought his ideas to the big screen. After he left Marvel's "Ant-Man" project very publicly, the world was wondering what this film-maker would come up with next. "Baby Driver" is the answer to that question. And a damn great one too. Although it isn't as distinctly Edgar-Wright-ish as you might expect.
The movie revolves around Baby, a young getaway driver who has had an accident as a child that left him with a tinnitus. To drown out the squeak in his ear, he listens to music, an art-form that has always played a central part in his life. For Wright's standards the basic plot is unconventionally conventional: Boy is in the bad guy business, boy meets girl, boy wants to get out of the bad guy business to drive off into the sunset with girl, boy has to do one last job. So far so simple. It is a classic Hollywood tale. Wright however gives it enough little twists and turns to make it feel like a fresh homage rather than a resort to cliché. But what actually truly elevates this story is the musical element mentioned above:
The soundtrack consists almost exclusively of licensed pieces of music and features fantastic songs from Queen's "Brighton Rock" all the way to a cover version of "Tequila". It is much more than a great listen, though. While in other films the action is simply accompanied by the music, here, it is the other way around. The music dictates the action. Yes, everything that happens in "Baby Driver" is in perfect sync with the songs you hear. The stunts, the driving, the gunshots, even the beeping of ATMs in the background. Whether it is putting down a coffee cup or tapping someone on the shoulder. Everything fits the rhythm. You know these moments you sometimes have, when you walk through the streets with your headphones on, when you imagine this was the soundtrack to your life? That's what this movie is all about. But it's more than just a gimmick. Often times it is subtle enough that it isn't too on the nose (although you never not notice it), and moreover, it serves the purpose of reflecting the protagonists view of the world. When he has to restart a song in the middle of the action, you know that this is not going how he had planned. It's an ingenious character moment.
By itself, this whole element would already make an entertaining motion picture. If you then take a look at the cast, the entire film steps up its game even further. Everyone seems like they had a blast on set. Oscar-Winners Jamie Foxx and Kevin Spacey are excellent (it becomes clear Spacey has perfected his typical arrogant and powerful mastermind by now), but also Jon Hamm gives his character an unexpected depth through his performance. And then of course there is our leading man, Ansel Elgort, who is as charismatic as he ever was. He has to carry most of the film and fulfills his task masterfully. You believe his passion, his coolness and his pain. While I am curious to see what Alden Ehrenreich has to offer, I immediately thought it to be a shame that Elgort didn't get the role of young Han Solo as soon as I saw the first 6 minutes of "Baby Driver".
The whole film is an exhilarating ride that you can appreciate more and more every time you watch it. This movie has action, humor, romance and maybe the greatest car chase sequences of the decade. Edgar Wright proves that he can deliver an endlessly creative product even when he plays around with a classic Hollywood formula. Meticulously crafted, brilliantly edited and perfectly cast, this music-video-motion-picture-hybrid is one of the best films of the summer. Buy the ticket and take your friends. You won't regret it.

For Fans Of:
Hot Fuzz (2007)
RocknRolla (2008)
The Town (2010)
The Italian Job (1969/2003)
Victoria (2015)
The Man from U.N.C.L.E. (2015)
Fast Five (2011)

Click Here To Watch Traier!

Montag, 3. Juli 2017

REBIRTH - Netflix Review

 Title: Rebirth
Running Time: 140 min
Director: Karl Mueller
Writer: Karl Mueller
Starring: Fran Kranz, Adam Goldberg, Nicky Whelan, Kat Foster

Review:
Netflix has become bigger and bigger over the last couple of years. So much so, that the streaming service evolved into a production company that constantly delivers new content. Between acclaimed shows like "House of Cards" or Marvel's "Daredevil", you can also find a number of independent films in the Netflix original collection. It only seems appropriate, to pick out one of these productions every now and then, and give them the same review treatment as cinematic releases. First up is Karl Mueller's second directorial outing:
"Rebirth" is a psychological thriller that evolves around the everyman Kyle, a suburban father who works for the social media department of a bank. When he gets a surprise visit from his old college friend Zack, the latter tries to convince him to take part in a wild self-actualization program called Rebirth that is coming up the following weekend. Despite only having these few vague information, Kyle signs up. Soon he enters a bizarre rabbit-hole that seems to lack order, sense and any kind of reasonableness and is more messed up than he initially thought.
The film is certainly an experience. You really get to see the story through Kyle's eyes and thus are just as confused as he is throughout the entire film. Numerous times you will wonder what the hell is going on and will laugh at, be weirded out, or be intrigued by the absurdity of the events. Whether you enjoy this ride or not probably depends on your ability to endure such a cluelessness. Because it does get a little exhausting at times that you don't even seem to get a little bit closer to finding out what is actually going on. But the film manages to pull you back in at a few points. Of course all this confusion calls for a big reveal at the end, and while you'll find the initial explanation of it all a little underwhelming, the film dares to say "but wait, there's more" just a few minutes later. At first I wasn't quite sure if the ending worked for me, but the more I thought about it, the more I liked it and the more it kind of creeped me out.
While the social satire the film attempts doesn't entirely work, the film is still fun to watch. In this regard, it especially benefits from Fran Kranz's sympathetic portrayal of Kyle. The 35 year-old actor has given great performances in films like "Cabin in the Woods" or "Much Ado About Nothing" and especially his comedic chops should be utilized much more by Hollywood. Additionally, the film has a cool visual style as it frequently plays around a little with things like the color pallet or long takes.
All in all, "Rebirth" is certainly not a perfect film, but entertains you well enough. Maybe not a film for watching alone, but I do recommend it for a movie night with a few friends. Because despite its flaws, it sure has the potential to start up a conversation.


For Fans Of:
The Game (1997)
Fight Club (1999)
Legacy (2010)

Click Here To Watch Trailer!

Donnerstag, 2. Februar 2017

SPLIT - Movie Review

 Title: Split
Running Time: 117 min
Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Starring: James McAvoy, Anya Taylor-Joy, Betty Buckley

Review:
"The next Spielberg!" That's what Newsweek called M. Night Shyamalan after he had impressed with his six time Oscar-nominated "The Sixth Sense", the superhero thriller "Unbreakable" and Mel Gibson's last commercial hit "Signs". Then the tide turned. Big time. From 2006 to 2013, the writer-director earned himself a total of 15 Golden Raspberry nominations, winning the infamous award 6 times including accolades for Worst Director, Worst Picture and Worst Screenplay. In fact, "The Happening", "The Last Airbender" and "After Earth" are considered to be some of the biggest piles of garbage when it comes to motion pictures (especially the latter is exceptionally hated by me). The name Shyamalan became synonymous with box-office poison. His career seemed to have ended, but the Indian-American didn't give up, claiming he was simply misunderstood. Sure enough, he made "The Visit", a film that (considering his past entries) was surprisingly well acclaimed. Critics wondered if it marked the beginning of M. Night Shyamalan comeback, and now the director set out to answer that question with his latest flick.
"Split" is indeed the writer-director's return to old form. While not being a perfect film, it is an entertaining thrill ride that is fun to dive into. Revolving around a man with 23 different personalities living inside of him, this film demanded a lot from its leading actor James McAvoy. He was up to the task though, and his performance is a tour de force that makes the supporting cast look pale in comparison. McAvoy manages to play the different parts so distinctively that you often know which personality he switched into, before he even talks. Just by a look on his face or the posture of his head. And yet, his portrayal is subtle enough not to make any of the characters cartoonish. It is a blast just to see him act.
Fans of Shyamalan's early work will be pleased. The director orchestrates this claustrophobic thriller brilliantly. Rather then cutting quickly back and forth, he remains in certain shots, which immediately creates tension. Moreover he plays with off-camera space in such a way that taps into our natural fear of the unknown. West Dylan Thordson's score perfectly accompanies that style.
If however you were buying your movie ticket to see a truthful depiction of DID (Dissociative Identity Disorder), then you will not quite get what you are looking for. Holding a degree in psychology myself, I feel like I have to address this. Additionally, I was lucky enough to watch this film with a friend who even has some practical experience on the matter and so obviously we discussed the realism of it all. On one hand, James McAvoy's way of transforming, as well as his characters' description of his mind as a room where the personalities sit and have to wait until they "get the light" is pretty much accurate. Also differences in gender and age between the identities are not uncommon for people with DID. Even the presented reasons for a so-called "split" are, though simplified, principally correct. On the other hand, the film does not refrain from the Hollywood cliché that there is somehow always one or more identities that are evil in nature. Later in the film it becomes even more fictitious but in such a way that I believe the audience understands that this is not how DID works. Furthermore the psychotherapist in this film is quite incompetent (as 45% of psychologists in movies are according to a study by Bischoff & Reiter, 1999). From the get-go she fails to keep a professional distance to her patient and the "facts" she explains about DID are often of speculative nature at best. To the film's defense however, these are all elements that serve the purpose of the story it tries to tell: A fanciful one, with its own philosophy.
So, when you can accept that this psychological thriller isn't fully grounded in reality and take that little leap of faith, you are in for an attentively crafted, pretty cool movie with a masterful leading performance at its center. If you are familiar with the director's first few movies, you will also be able to put this film into a different context, that will definitely enhance your experience. I certainly had a good time.


For Fans of:
10 Cloverfield Lane (2016)
Identity (2003)
Unbreakable (2000)
Signs (2002)
Hannibal (TV Series, 2013-2015)

Samstag, 28. Januar 2017

HELL OR HIGH WATER - Movie Review

Title: Hell or High Water
Running Time: 102 min
Director: David Mackenzie
Writer: Taylor Sheridan
Starring: Chris Pine, Ben Foster, Dale Dickey, Jeff Bridges, Gil Birmingham

Review: 
If you say you will do something come hell or high water, you mean you are determined to do it whatever difficulties might occur. Take this phrase as the title of a heist film, give it a dusty Texas setting and add a mumbling Jeff Bridges in the role of a ranger and you have yourself a promising neo-western crime drama. The script with the working title "Comancheria" landed on 2012 Blacklist (a list of the most promising, unfilmed screenplays) and four years later the finished product received a total of four Oscar-Nominations including its writer Taylor Sheridan.
"Hell or High Water" is the story of two men, Toby (played by Chris Pine) and Tanner Howard (played by Ben Foster), who are not only brothers by blood, but also brothers in arms when in comes to robbing banks. While Tanner has always been a troublemaker and even spent time in jail, Toby has so far lived an ordinary man's life. It is the death of their mother that puts Toby on the path of a criminal. As she was left broke and in debt due to a reverse mortgage of the Texas Midland Bank, the brothers seek revenge by robbing banks of that exact branch, planning to pay them back with their own money.
Whereas the premise of the film might not be the newest thing under the sun, the movie stands out through its characters, dialogue and specific atmosphere. For one, even though this movie takes place in modern times, you really get the old western vibes. There are deserted small towns, outlaws, cowboy hats, shoot-outs and even something resembling the old-school horse-ride-pursuit sequences. Its style sucks you right into the film. In addition, the characters are written in such a way that you understand and care about all of them, even when they are on opposing sides. Toby is a man who does wrong things for the right reasons. Tanner is quick-tempered (think Joe Pesci in "Goodfellas") and gets into trouble. But every now and then you can see that he loves his family very much, he just feels like his path is set and he can't escape it. Jeff Bridge's Hartigan has very hard shell, but you get more and more glimpses at the soft core underneath it as the movie progresses. His colleague Alberto (portrayed by Gil Birmingham) is an all around good guy, so much so, that he even expresses sympathy for the brothers they chase.
In fact, there is no bad guy in this film. At least not one of flesh and blood. The real villainous force in this film is the banks and a reprobate system that works at the expense of the common people. It is a phenomenon that strongly shapes the area the movie is set in, including all of its inhabitants, and the film really captures that very specific zeitgeist. As a result, the movie feels completely authentic and you can quickly empathize even with the smallest secondary characters.
The actors are all giving a hundred per cent across the board and especially Jeff Bridges gives a multi-layered performance that is simply excellent. Director David Mackenzie tops it all off with some marvelously composed shots, cleverly constructed sequences and a distinct dusty look. It is an atmospheric piece of cinema that finds a good balance between character exploration and action. Worth the ticket. Worth your time.

For Fans Of:
The Town (2010)
True Grit (2010)
Killing Them Softly (2014)
No Country For Old Men (2007)
The Place Beyond The Pines (2012)
Public Enemies (2009)
Money Monster (2016)

Click Here To Watch Trailer!

Dienstag, 24. Januar 2017

MANCHESTER BY THE SEA - Movie Review

Title: Manchester by the Sea
Running Time: 137 min
Director: Kenneth Lonergan
Writer: Kenneth Lonergan
Starring: Casey Affleck, Lucas Hedges, Michelle Williams, Kyle Chandler

Review:
Matt Damon had big plans for "Manchester by the Sea". After pitching writer Kenneth Lonergan the idea for a script and immediately falling in love with its first draft, he decided he did not only want to produce, but also direct and star in this film. But Damon is a busy man and the production of "The Martian" and his fourth "Bourne" outing brought production of this movie to a halt. To make sure the film got made, he handed the director's chair to Lonergan, but said he would only give up the leading role for one actor: Casey Affleck. Well, Affleck took the role and Damon was left "just" producing the film. And as good of an actor as Matt Damon, it seems like it was the right decision.
"Manchester by the Sea" is an emotional drama that stands and falls with the leading man's performance, and Casey Affleck absolutely kills it in this role. The story revolves around a lonesome man, Lee, from Boston who unexpectedly becomes the guardian of his nephew when his brother dies of a heart disease. On top of all the struggle that usually comes with such a situation, the boy lives in Lee's old hometown, a place that he deliberately moved away from to escape his most painful memories.
Kenneth Lonergan's screenplay is beautiful, unpolished and real. Not one scene is romanticized or overly dramatized. People in real-life just don't go out and have outbursts all the time, and thus, a lot of moments in this film play out less pompous than you think. Sometimes they are somewhat awkward and at multiple points even unexpectedly funny. It is a script that doesn't cry for your attention, it earns it. Lonergan creates tension by having his characters share very little about their feelings through the dialogue, having their repressed emotions build up over timeThrough a pointedly use of flashbacks he then withholds or reveals information in a way that maximizes their effectiveness.
This also means, of course, that the script calls for great actors that can display all those hidden emotions non-verbally, and Affleck is absolutely perfect for that. It just takes one look in his eyes to see all the pain that lies behind them. His portrayal of Lee is subtle, nuanced and yet endlessly expressive. The character is a hugely withdrawn person, but Affleck evokes so much empathy for him, that when he finally opens up, even just a little bit, it hits you. And it hits you hard. It is an absolutely masterful and heartbreaking performance. His Academy Award nomination is more then deserved, and so would be a win. All of the members of his supporting cast however are on the top of their game as well (Hedges and Williams also with Oscar nominations), and so when the characters interact, it feels like you are watching actual people.
"Manchester by the Sea" is an incredibly effective drama that is as genuine as it gets. Although it is a very sad film, it takes time to give you enough light moments in between so that the sadness you are left with is one that makes you appreciate the good things in your life. Come for Affleck's performance. Stay for the wonderful story. You will not regret it.


For Fans Of:
Locke (2013)
Wild (2014)
We Need to Talk About Kevin (2011)
Up In The Air (2009)

Click Here To Watch Trailer!

Donnerstag, 19. Januar 2017

LA LA LAND - Movie Review

Title: La La Land
Running Time: 128 min
Director: Damien Chazelle
Writer: Damien Chazelle
Starring: Emma Stone, Ryan Gosling,  Rosemarie Dewitt, John Legend, J.K. Simmons

Review: 
"And the Golden Globe goes to... La La Land.“ Yes, this film broke records by winning a total of 7 Golden Globes including awards for its actors, director and music. As a result, in countries where the film is still playing in theaters, the lines for this movie are huge. But what does this romantic musical have that makes it earn so much praise? Can you believe the critical hype?
Well, once you have watched „La La Land“, it becomes clear why the Hollywood Foreign Press Association celebrates it that much: The whole film is a love letter to Hollywood. It is also, so it seems, director Damien Chazelles' apology to all those who felt he misrepresented the spirit of Jazz in „Whiplash“. Our two protagonists are just two lonely souls trying to make it big in the City of Angels (or the City of Stars as Gosling sings of it). One as an actress, the other as a pianist. Both of them dwell on the past, admiring the classic stars of their craft and the glamour of it all.
For the third time, Gosling and Stone are pairing up to play an amorous couple, and their familiarity with each other becomes apparent on screen. They have great chemistry together and since their both playing very much within their wheelhouse (Emma Stone even gets to do a short lip sync performance as she did on the Tonight Show), they play their parts with such an ease that their characters and their relationship seem incredibly natural. On top of that, of course, they had to manage the singing, the dancing and in Gosling's case the piano playing. They pass on all three of those. Sure, there might be better singers than Stone and better dancers than Gosling, but its their comprehensive package that totally sells the film. And Ryan Gosling's skills on the ivories are impressive, especially when you consider he had to learn it from scratch for this film.
But our two actors are not the only players that do their job more than well. Damien Chazelle's direction is incredibly beautiful. Through a pointed use of long takes and conspicuous lighting, he manages to accentuate the musical performances in a way that they feel almost detached from the actual story line. Paradoxically, this makes the musical aspect of the film more believable as you don't have the impression that the characters randomly break out into a song, but rather that (like a dream sequence) the act is just an artistic representation of the characters' innermost thoughts and emotions. You will notice that he usually refrains from doing so, when the characters actually play music for others within the story. In addition, Chazelle also avails himself of the L.A. setting of the film. On every occasion, he stages his scenes around the city in a way that underlines their tone or visually expresses what the characters are going through. It's a treat for the eyes.
The story itself is not only a cute love-story but a tale of dreams, hopes and wishes and how we go about them as our life progresses. The afore mentioned magnificent work of the talents involved manages to save the film from becoming too cheesy, and just when you think you a schmaltzy Hollywood ending is coming up, the film turns it around and delivers a strong conclusion.
So does "La La Land" deserve the hype? Is it even worthy of a Best Picture Oscar? I can't say for sure. It doesn't have the relevance of a "12 Years a Slave", the philosophy of a "Birdman" or the big emotional punch of  a "Spotlight", but then again the conversation whether only heavy-hearted dramas are worthy of prestigious Awards is long overdue. What I can say however, is that this is not a chick-flick, but rather a carefully crafted, charmingly acted and delightfully told romantic musical that will enchant and entertain you for its entire run time. Is there more you could ask for?

For Fans Of:
The Artist (2011)
Singin' in the Rain (1952)
West Side Story (1961)
Crazy Stupid Love (2011)

Click Here To Watch Trailer!

Donnerstag, 27. Oktober 2016

SWISS ARMY MAN - Movie Review

Title: Swiss Army Man
Running Time: 97 min
Directors: Daniel Kwan, Daniel Scheinert
Starring: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead

Review:
To some people Daniel Radcliffe will forever and always be Harry Potter. A shame, really, because the young man has since evolved as an actor, giving excellent performances in a very diverse list of projects. Drama, Rom-Com, Horror, Thriller, Action-Adventure, Theater, Biopic, you name it. Radcliffe is more than a one-trick pony. And now the man who became famous for playing "the boy who lived" stars in an independent comedy-drama in the role of, well, "the boy who's dead." Yes, the movie at hand revolves around a stranded young man who is about to commit suicide, when he sees a corpse washed ashore. A corpse that does not only turn out out to be able to speak, but also proves useful as a multifunctional tool (there is for example his ability to be used as a vehicle powered by his postmortem flatulence). It is a ludicrous concept, and 'Robinson Crusoe meets a farting carcass' is a plot-summary that might not win everyone over.
"Swiss Army Man" is however a truly special and unique movie. In a good way. In a world where sequels, prequels and reboots are the norm, this film dares to be different. Daniel Radcliffe's Manny has no idea about what life is, and in beautiful irony the only person he has to teach him about it, is a man who was just about to kill himself before they met. The unlikely mentor is played by Paul Dano, who himself has quite an impressive résumé. His body of work reaches from "Little Miss Sunshine" to "There Will Be Blood" to "Looper" and he is especially excellent in giving his characters a very genuine vulnerability. As is the case with his portrayal of Hank, who is shaped by everything he was never allowed or never brave enough to do. Manny on the other hand looks at the world with adorable simplicity and questions conventions that we do not even really think about anymore. The friendship that develops between these two characters is based on a level of impartiality that seems much needed in today' society. While some critics have acused the love story that is woven into the plot of being plain, it is merely a gateway to access the character's deepest wishes, hopes and feelings. As they get more intimit with each other, they allow themselves to be childish, to be crazy and to be creative. And this is exactly what the film makers do as well.
The Daniels (as the directing duo calls itself) have created an endlessly imaginative film. As much as the dialogue sticks with you, it is their visual realisation of the themes and concepts of the film that make it stand out. The cinematography is gorgeous. Their shot compositions are inspiring and informative at the same time, and they often manage to convey feelings and thoughts simply through camera work. The score is no less interesting. Relying almost exclusively on atmospheric accapella sounds, it contributes an additional level of enchantment to a film that is already engaging. And even here, the directors don't miss out on making a joke, having the word 'montage' being sung in the song that plays (you guessed it) during a montage sequence.
As a whole piece, "Swiss Army Man" is an engaging celebration of life and the beauty it holds in the strangest places. Yes, there are sex and fart jokes, but they are the most philosophical fart jokes you will ever see. The film breaks conventions, and is therefore unpredictable until the last minute. It speaks especially to those who have seen themselves as misfits at some point or in some way in their life. To people who hold on to their inner child. In all its oddness, it is incredibly honest. And while some people say the concept is just too bizarre to get behind, I say: If people can get behind the fourth movie about space robots that can shapeshift into humans and toasters, and destroy entire cities that then miraculously appear unharmed in the sequel, then why the hell not this?
So if you were looking for something you haven't seen before, something that thinks outside of the box, something that is bubbling with imagination and refreshingly strange, then search no more: This is the film for you!

For Fans Of: 
Simple Simon [orig.I rymden finns inga känslor] (2010)
Captain Fantastic (2016)
Little Miss Sunshine (2006)
The Secret Life of Walter Mitty (2013)
Weekend at Bernie's (1989)
Seven Psychopaths (2012)
Cast Away (2000)

Click Here To Watch Trailer!

Dienstag, 6. September 2016

CAPTAIN FANTASTIC - Movie Review

Title: Captain Fantastic
Running Time: 118 min
Director: Matt Ross
Starring: Viggo Mortensen, George MacKay, Samantha Isler, Annalise Basso, Nicholas Hamilton, Shree Crooks, Charlie Shotwell, Kathryn Hahn, Steve Zahn, Frank Langella

Review:
Viggo Mortensen could have been a glamorous Hollywood celebrity. When the then 41 year old Danish-American replaced Stuart Townsend last-minute in a little trilogy called "The Lord of the Rings" he showed the world what a fantastic actor he was and all of Tinseltown's doors suddenly stood open for him. It seemed however that Mortensen didn't want to become that kind of movie star as he continuously turned down big blockbuster roles. Since his last appearance as Aragorn in "Return of the King" the man has played the leadrole in only above a hand full of movies, all of which got very limited media attention, but had one thing in common: Viggo on the top of his game. So whenever the guy finally decides to flex his acting muscles once more, you are almost obliged to watch it, since you never know when you will get to experience his prowess again.
"Captain Fantastic" joins the ranks of Mortensen's outstanding works, but is enchanting enough that it satisfies even beyond his brilliant performance. It is the story of a man, Ben, that brings up his kids in the woods, shielding them from what he thinks is a reprobate society, teaching them to survive in the wild as well as to understand the complex nexus of the world through studying books of different humanists and philosophers. When his wife passes away and his father-in-law denies him attendance to the funeral, the whole family jumps into their rusty tour bus to go there anyway. However this of course constitutes the first time Ben's children come into contact with the "normal" world. Complication are bound to occur.
Accordingly to its premise the movie has a lot of that charmingly innocent kind of humor where characters encounter a world that is so different from their own. It is one of the reasons the first Thor movie worked so well for example, and it made me laugh out loud multiple times. Wrapped under the funny bits however is a critical look at our society that really gets you thinking. But unlike some more radical indie flicks, the film doesn't hit you over the head with its message. On the contrary, the strength of "Captain Fantastic" lies in the fact that it shines light on multiple sides of the story. Of course our main character is made to be sympathetic as we mainly follow his path, but more than once his worldviews are reasonably questioned by other characters in the film, and every now and then he even comes across as a little too full of himself, holding on to believes that seem somewhat irresponsible. The perfect world he thought he built is not perfect after all, but it isn't all bad either. The exploration of this realization makes the film an interesting character study and so this family's physical and psychological journey gives the film its more than solid framework. The performances are great across the board and at one point the child-actors play a rendition of a Guns'n'Roses song that keeps running on repeat on my soundsystem since I first heard it. Unsurprisingly though, Mortensen stands out with a lot of heart and genuineness. Finally the cinematography tops the movie off to a perfect cinematic experience as you will get beautiful nature shots as well as some accentuated visual comedy.
To people who are not into that kind of indie stuff or already sighed when reading the premise, this film might still come across as obnoxious. But if you are open for it and found the idea of the film even just a little intriguing then "Captain Fantastic" can take you on an engaging trip that will stick with you for days after watching it. Funny, clever, surprising, charming, thought-provoking and heartwarming: This movie gets a definite recommendation!
 
For Fans Of: 
Little Miss Sunshine (2006)
Into The Wild (2007)
Lost In Translation (2003)

Click Here To Watch Trailer!

Mittwoch, 16. Dezember 2015

KRAMPUS - Movie Review

 Title: Krampus
Running Time: 98 min
Director: Michael Dougherty
Starring: Adam Scott, Toni Collette, David Koechner, Emjay Anthony, Allison Tolman, Conchata Ferrel, Stefania LaVie Owen, Krista Stadler

Review:
European culture is full of beautifully dark tales. From the "Struwwelpeter" (an 'educational' German children's book, where kids get their thumbs cut off and  are burned alive) to "Baba Yaga" (a deformed witch in slavic mythology), there seems to be a gruesome story for every occasion. So in a season where we are flooded with Christmas-themed romance movies, cheesy comedies and reruns of old family films, it is about time that one of these ancient legends gets a major motion picture to stirr things up a little.
With "Krampus" the creature from alpine folklore of the same name gets brought to life on the big screen. Seen as the counterpart of Saint Nicholas, the Krampus comes during Christmas season to punish those who misbehaved. Accordingly, the plot of this film is pretty straight-forward: During a big holiday get together, a little boy makes one wrong move and soon, the title-giving dread pays a visit to his house, haunting the whole family.
Now, such a premise might not be everyone's cup of tea, but if you are abel to roll with it, "Krampus" is a special little something for the holidays! Blending together ingredients of the horror and comedy genre topped with a Christmas theme, this film is unconventional and yet satisfyingly fresh, like a rare foreign dish. The looks of this movie are certainly its strongest parts. Michael Dougherty makes some nice creative choices throughout the film like an animated flashback sequence that is enchantingly dark, similar to the 'The Tale of the Three Brothers'  from "Harry Potter and the Deathly Hallows Part 1". Also, the creature design is more than impressive and Krampus' mischievous „little helpers“ gave the costume and effects department a chance to let lose. With mainly oldschool practical puppetry and only a hint of CGI to enhance it, the film gains a hell lot of grid, and even manages to put creepy clowns on to the next level. The big boss himself looks simply stunning, and has a far greater and menacing presence than any other visual incarnation of this mystical figure. While his minions are wild and unruly, his movements are the ones of true predator: Slow, calm, and only quick when the time is right. Paired with a beautiful score (well worthy of a monster movie) the film doesn't lack atmosphere at all. Especially when "Anti Saint Nicholas" and company are on screen.
On the other side is the human component of the film, which works quite well, but certainly has some room for improvement. The cast is doing a pretty good job: Child actor, Emjay Anthony, manages to helm the film suprisingy well, and Adam Scott shows once more that Hollywood shouldn't continue to overlook him for bigger parts. Krista Stadler's portrayal of Omi carries the film through its more dramatic moments and gives it an unexpected form of gravitas. However, most of the other characters, especially the annoying relatives, aren't really fleshed out. The movie fails to dig deeper into the few redeeming moments they have, leaving them as one-note characters you don't really care about, and thus hindering the viewer of getting more emotionally invested.
Furthermore, there are a few expectations that might have to be adjusted: Eventhough the film's title is Krampus, he is more like an "end-boss" of the movie, only fully engaging at the climax of the film. For the first hour, the dirty work is left to his tiny henchmen, and though they are a lot of fun to watch, you'll get less than you hoped for, if Krampus was the big pull for you. Additionally (and in contrast to what the trailer might suggest) the movie refrains from jump scares and splatter elements when presenting the horror. Technically, this speaks for its quality in filmmaking, but it will certainly disappoint people who were in for a bloodbath.
Overall however, "Krampus" is a hell lot of fun, once you can get into it. A movie that missed the chance of becoming a cult hit only by a little bit. If a sequel could smooth out its shortcomings, it could probably receive that status. On top of all that, the film earns another few plus points for actually conveying a nice message. "Love thy neighbor" might have been told a gazillion times during the holidays, but it has rarely been told so violently playful. Oh, and personally, I thought the ending was a perfect fit!

For Fans Of:
Gremlins (1992)
The Nightmare Before Christmas (1993)
Charlie and the Chocolate Factory (2005)
The Babadook (2014)

Click Here To Watch Trailer!

Donnerstag, 26. März 2015

INTERSTELLAR - Between Science and Fiction

 

 Hello there puny humans,
it has been more than 4 months now that Interstellar came out, and since then, it has been one the most talked about movies of last year. Critics accuse fanboys of hyping the film too much and over-looking its mistakes, while fans of the movie are annoyed that people seem to deliberately nit-pick just because it's made by Christopher Nolan and they want to see him fail. Despite all that, it is undeniable that the science presented in Interstellar is amazingly accurate for such a fantastical and large-scale sci-fi adventure. Not only was Kip Thorne (one of the leading experts on gravitational theories) advisor and producer on the film, but other theoretical physicists like Clifford V. Johnson (i.a. science consultant for the Discovery Channel), and even the famous Neil deGrasse Tyson praised the movie for its realism. So which parts are fact and which are fiction? I've worked my way through tons of videos and articles to find out, and though I'm still no science expert, I think I am now able to break it down for you! But those who haven't had the pleasure of watching this film yet, be aware: There is spoilers ahead!  

1. Another One Bites the Dust
Scene from Interstellar
Christopher Nolan's movie starts back on earth in the late 21st century, where due to food shortage most people have become farmers. The land has dried out and huge sandstorms are plaguing the cities, forcing a lot of families to simply pack their things and leave their homes, and heavily affecting the health of those who chose to stay. If you ask yourself wether something like this could really happen or not, you might be surprised by the answer: It already has happened!
Photograph of a Texan Farm, 1935
Yes, during the 1930's in the southern plains of the United States (including Kansas and Oklahoma) agriculture and ecology in general were severly damaged by great dust storms. Just like in Interstellar, these storms had a big impact on peoples lifes. In fact, the interviews with the elderly people you see at the beginning of the film are taken from Ken Burns' documentary The Dust Bowl, where eye-witnesses of the so-called "Dirty Thirties" talk about their actual experiences of that time (with the exception of the ones with Ellen Burstyn playing "old murph").
This phenomenon was caused by the dramatically quick increase of agriculture in a short amount of time, which was the result of the government funding the cultivation of land. This could easily have happened in the film, as here too, the government is supporting the idea of people becoming farmers due to the food shortage.

2. Sleeping Tight
To travel as far of a distance as the crew of Nolan's "Lazarus" mission does, its members put themselves into cryo-sleep. This technique, which is based on the principles of an animal's winter sleep, does not exist yet, but agencies like NASA are doing a lot of research on that matter, hoping to use it for a manned Mars mission. Eventhough they have yet to come up with anything beyond the therapeutic hypothermia that is used as a medical treatment today, there are a few cases that lead them to believe that cryonics might actually work:
Mitsutaka Uchikoshi of Japan purportedly survived 24-days without food or water after falling in snow and entering a hypothermic state. Erika Norby, a one-year old, was revived after her heart stopped beating for over two hours when accident left her exposed to -20 C weather conditions and her core temperature dropped to 17 C. And in 1999 Dr. Anna Bagenholm, at 29 years old, was revived after her heart was stopped for 3 hours after being submerged under ice while skiing. So who knows, maybe one day this bit of fiction might become reality...

3. Holes in Space: The Worm ones
Of course to get to a whole different galaxy as far away as the one in the film, even cryosleep wouldn't have helped because it would have taken way too long. In Interstellar however, the crew manages to overcome this obstacle because of a little help they got from "them". And what "they" did was placing a wormhole in the perfect spot for the spaceship to take a shortcut.
A "two-dimensional" demonstration of a wormhole
Now wormholes are a highly theoretical construct. Yet, a lot of scientist believe they exist. Stephen Hawking explains it like this: It's a basic physical principle that there are no truely flat surfaces. Even something as smooth as a billiard ball has cinkles and crevices that could be seen if it was magnified enough. The same applies for the rug-like structure of space-time (see 5.). On a scale much smaller than atoms and more than a sextillionth of a millimeter, tiny holes or tunnels can be found in it. Linking either two places in the same time or two points in time at the same place. If these shortcuts were (somehow) able to be captured and enlarged many trillions of times, a spaceship would be able to fit through them. Another challenge however would be to stabilize the wormholes as they form, fall apart and reform in less than a microsecond.
So eventhough wormholes are not proven to exist, the movie Interstellar uses the most current theories about them. Also its visual design is quite accurate, because as said in the film itself: A hole in space must be three-dimensional and therefore more of a spherical shape.

4. Surfing Safari
After a juddey ride through the wormhole the spaceship lands on a planet covered in water. Just a couple of minutes have passed when the astronauts realize that what they thought to be a very high island on the horizon is actually a mountainous wave coming towards them. Not all of them make it back before it hits and so the crew has to deal with their first losses.
Naturally, a lot of viewers thought that the wave was just a little gimmick the writers made up to give their characters at least some kind of challenge, but here too, the events are scientifically logical. On earth, low and high tide are created by the gravitational pull of the moon. A "bulge" in the water forms right under it, but as moon and earth are both moving without our notice, it actually looks like the water is moving. In the film, the planet they landed on is said to be incredibly close to the black hole "Gargantua" which has a gravitational pull that is significantly larger than the moon's. As a result, the "buldge" is substantially larger here and appears to be one giant wave. The only thing the film does get wrong is that it would not have such a peak and be much less steep than portrayed on screen. But that just wouldn't look as menacing...

5. What time is it?
Water is not the only obstacle the crew of the Lazarus mission has to face after their first touchdown. Every hour that passes on this planet equals seven years on our earth. What sounds like a crazy reversed-Inception-dream-time logic is actually one hundred per cent possible and plausible.
space-time dilation
As we learned from Einstein's relativity theory, space and time aren't two sperate things, but rather one and the same, called "space-time". Imagine this quantity as something like a rug or a bed sheet. Now imagine that this sheet was elastic like rubber. Gravitation is able to bend space-time, which would be like if you put a ball in the middle of our rubber sheet. Around the ball the sheet would now stretch and get thinner, so that you'd have less rubber per square centimeter. The heavier the ball the thinner it would get, and the same can be applied for gravitation. The stronger the gravitation of a celestial body, the more space-time gets "stretched". In other words: we experience less time. It passes more slowly. Since Gargantua has extremely high gravity, every planet close to it must experience a very big space-time dilation, just as it is presented in the film.
This kind of phenomenon is in fact relevant here on earth as well. Some GPS satellites are so far out of our planet's gravitational field that their clocks must run a little slower in order to match the ones on earth.

6. Holes in Space: The Black ones
We've heard a lot about Gargantua by now, but what exactly is a black hole?
"Gargantua" from Interstellar
Mathematically speaking every object in the universe has a so called "Schwarzschild radius", which gives you the size to which said object would have to be compressed in order to basically become a black hole. Because what black holes really are is a region where mass is so dense that even light can't escape its gravitational pull. This is also why they are called "black" holes. What Interstellar demonstrates exceptionally is the way one would actually look from the outside. Using algorithms of Einstein's general theory of relativity, the animators of the film were actually able to create new scientifical knowledge about the way it bends light and distorts images (a.k.a. gravitational lensing).
coordinate singularity
So much for the outside. But the inside of a black hole is not one bit less interresting. As a result of its density, there is a singularity lying in its core. Within this singularity the quantities to measure our physical units become infinite, and therefore the rules of physics don't apply in the same way anymore. To understand this better you could look at a coordinate singularity. This phenomenon can be observed on a globe at the spot where the north (or south) pole is. Here, the longitudinal and latitudinal lines are all compressed in a way that their measurement becomes meaningless.
Now, if anyone (like Matthew McConaughey apparently) was crazy enough to jump into a black hole, it is wrong to assume that this person would die immediately. In fact, there is a point called the event horizon, which is where the black hole's pull is already strong enough for you to never get out again, but where you haven't reached the singularity yet. You'd probably even have a breathtaking view, but as soon as you left the event horizon you would get spaghettified. Yes, this is actually a term used by scientist to explain the horrible and (most likely) deadly stretch that your body would experience... 

7. The Tessaract (...not from Marvel)
This is where we go deeper into the fiction part. After his jump, Joseph Cooper doesn't look like a spaghetti at all (or dead for that matter). On the contrary. He lands. And where does he land? Well, behind the book-shelf in his daughter's room...
At this point in the film, we don't really know if this is supposed to be the inside of Gargantua or if "they" somehow transported him there before he reached the end of the event horizon (the latter of which actually being less and more plausible at the same time). However, thinking that all scientific aspects of the movie have been thrown out of the window by now would once again not do it justice. I will not discuss the exact content of the ending here (though I personally quite like the message of love transcending space and time), and instead will focus on its visualization:
The difficulty the filmmakers faced here is that Coop' is supposed to be in a four-dimensional room. As the movie explains as well, for four-dimensional beings traveling through time would just be what walking up or down a hill is for us. Unfortunately, a visible fourth dimension is literally unimaginable for our brains. Yet, Nolan still gives it his best. He and his animators tried to construct something similar to a tesseract, which is to the fourth dimension what a cube is to the third (or a square to the second). When rewatching the scene you will notice that the "tunnel" that Cooper is stuck in is actually made up of a lot of cubic shapes. Further, (and just as explained before,) he is able to travel forwards and backwards in time by simply moving up, down, left or right inside the tunnel.
Thus, it might be a very speculative, but also a very ambitious way to portray a four dimensional room.

8. Cooper Station - or: Very weird baseball
Once again, we don't know exactly how Joseph gets out of the tesseract, but eventually he is rescued by a near by space ship. When he finally awakes in the medical facility of "Cooper Station" he looks out of the window, only to see more ground where the sky should be and people walking around upside down. This scene reminded a lot of viewers of a certain image from Inception, when the architect Ariadne is playing with the laws of physics within a dream. The idea of living inside such a habitat however dates farther back than the release of that 2012 blockbuster. In his 1976 book The High Frontier: Human Colonies in Space American physicist Gerard K. O'Neill proposes a design of a cylinder shaped space station, that very much equals the one presented in Interstellar. But why don't the people walking on the top fall off? And how is gravity generated at all?
space-colony art (1970)
The idea of the "O'Neill cylinder" is, that it rotates at certain speed, so that the centrifugal forces create an artificial gravity on its inner surface. A speed of forty rotations an hour would be fast enough to produce the 9,8m/s² we have on earth, but slow enough so that it wouldn't create symptoms of motion sickness. Special walls of windows set across from mirror-walls would be pointing at the sun and open at "daytime" to help reflect the sun's light into the cylinder.
So even this time Nolan has drawn on real scientific theories...

Aaaand that's it! I hope you enjoyed this in-depth look at Interstellar. It was lots of fun writing and researching for it, and I hope I didn't bore you to death with my newly gained knowledge. What were you surprised about? What did I miss? What did I get wrong? How are Joseph Cooper and his dad-in-law drinking beer eventhough corn is the only existing grain?* Feel free to discuss any of that and more in the comment section, and thank you so much for reading!

Sincerely,
Your Cinemartian

*the answer: corn beer exists